Combine Performance
This paper is supposed to be designed as to ways of conveying the concept of combine performances. There's four main characteristica each of will be given a precinct space in this text.
1. Nature
The combine performance is stated to be what combines is to classicistic art (modern) (mixture of painting and sculpture) but within the four-dimensional lane. It consists of both these four-dimensional scriptings as of (within mainly) performance and happening.
Performance
A performance is a (more or less) scripted way of art interaction acting within the four-dimensional lane given a specific time point. The performance is always solely existing (acting in a onetime-setting). Could be of both site (performance) and non-site (site-specific performance). The performance could be in front of a crowd (art connoisseurs) or without a crowd.
Happening
An happening is a non-scripted way of art labeling within the four-dimensional lane given no specific time point. The happening is always solely existing (acting in a onetime-setting). Could be of both site (happening) and non-site (site-specific happening). The happening is always without crowd.
Performance Happening (Combine Performance)
Mixing the two - performance and happening - leaves us with the instrumental combine performance.
2. Found objects
The combine performance is always working with found instances of a performance and an happening.
Found Performance
A found performance could be said to be a non-scripted; improvised performance held multiple times.
Found Happening
A found happening is an abstract pointer, giving direction to a happening.
3. Co-existing (Performance/Happening)
The concept of the combine performance with parlay as performance and happening is acting simultaneously (co-existing). With the former being impromptu the latter works as a pointer pointing at the combine performance.
4. Scripted
They could hereby be said to be of full-running script but as the same time non-instantaneously.
// Henrik Aronsson (Other Persona)
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