Set in a mutant engineering lab (long lost Tate Modern) to bring forward the deadliest spree killer.
// Niclas VIII
Visar inlägg med etikett Konstvärlden. Visa alla inlägg
Visar inlägg med etikett Konstvärlden. Visa alla inlägg
söndag 27 september 2020
tisdag 15 september 2020
Santa Claus i ett livsrumsgudaperspektiv
Jultomten av Eternal Life
When Santa Claus have trouble differing between the universes with compeling new laws and the universes when Santa [Claus] is just poor and grumpy Santa Claus so finds a way into travelling inbetween institutional worlds with new versions of objects (2665).
One such object(ification) was the work 'Eternal Life' and so Santa Claus travels the five dimensional institutional worlds in his quest for new Christmas gifts.
First out; Santa travels to the medicine world ('Eternal Life' (anti-psychotic injection)) but as the abstractification here was transferred to medicine ordination the objectification was not granted (at all).
Second out; Santa [Claus] travels to the psychiatry world ('Eternal Life' (delusions)) but as the abstractification here is only seen as a (ungrounded) belief in the subjects mind this was not transferrable.
Third out; Santa [Claus] travels to the science world ('Eternal Life' (quantum mechanics)) but here it's unclear if the quantum mechanic's beholding of an object's whereabout as both non-existing and existing is transferrable to the macro world.
Fourth out; Santa Claus travels to the film world ('Eternal Life' (canon causality fictionalisation)) but as Santa [Claus] couldn't afford to administer a movie to all giftapplicants this transferred to null.
Fifth out; Santa Claus travels to the teology world ('Eternal Life' (metaphysical concept)) but as religions differ in the concepts of the abstractification this could not be transferrable (at least not to all).
Sixth out; Santa [Claus] travels to the music world ('Eternal Life' (transcendance music)) but as all giftapplicants doesn't use (have) a stereo this was not in compliance with a transferring (at least to some).
Seventh out; Santa Claus travels to the art world ('Eternal Life' (eastern art)) but as this was only made abstractificational with a portion of the world's population this was not meant to be transferred.
Eight out; Santa [Claus] travels to the Christmas world ('Eternal Life' (abstract hard medium package)) and so could deliver gift vouchers on open heart surgery and gift vouchers on cell treatments to giftapplicants.
Santa Claus was once again victorious.
And so Christmas was once again saved.
And so eternal life was yet granted (to the Earth's population).
// Henrik Aronsson (Other Persona)
When Santa Claus have trouble differing between the universes with compeling new laws and the universes when Santa [Claus] is just poor and grumpy Santa Claus so finds a way into travelling inbetween institutional worlds with new versions of objects (2665).
One such object(ification) was the work 'Eternal Life' and so Santa Claus travels the five dimensional institutional worlds in his quest for new Christmas gifts.
First out; Santa travels to the medicine world ('Eternal Life' (anti-psychotic injection)) but as the abstractification here was transferred to medicine ordination the objectification was not granted (at all).
Second out; Santa [Claus] travels to the psychiatry world ('Eternal Life' (delusions)) but as the abstractification here is only seen as a (ungrounded) belief in the subjects mind this was not transferrable.
Third out; Santa [Claus] travels to the science world ('Eternal Life' (quantum mechanics)) but here it's unclear if the quantum mechanic's beholding of an object's whereabout as both non-existing and existing is transferrable to the macro world.
Fourth out; Santa Claus travels to the film world ('Eternal Life' (canon causality fictionalisation)) but as Santa [Claus] couldn't afford to administer a movie to all giftapplicants this transferred to null.
Fifth out; Santa Claus travels to the teology world ('Eternal Life' (metaphysical concept)) but as religions differ in the concepts of the abstractification this could not be transferrable (at least not to all).
Sixth out; Santa [Claus] travels to the music world ('Eternal Life' (transcendance music)) but as all giftapplicants doesn't use (have) a stereo this was not in compliance with a transferring (at least to some).
Seventh out; Santa Claus travels to the art world ('Eternal Life' (eastern art)) but as this was only made abstractificational with a portion of the world's population this was not meant to be transferred.
Eight out; Santa [Claus] travels to the Christmas world ('Eternal Life' (abstract hard medium package)) and so could deliver gift vouchers on open heart surgery and gift vouchers on cell treatments to giftapplicants.
Santa Claus was once again victorious.
And so Christmas was once again saved.
And so eternal life was yet granted (to the Earth's population).
// Henrik Aronsson (Other Persona)
tisdag 8 september 2020
Santa Claus i ett vattenfast konceptperspektiv
Jultomten på Pool Guardian
It was the day to end all days; coming into 2693 Santa Claus found himself w/o elves (which he had to release after not paying their wager for some time); w/o ability to sustain the demand for Christmas gifts; and on top of it all (the icing on the cake) Santa Claus had left himself head- and heartbroken in need of a rest.
But it was one thing he could do; one personnel that maybe could fill in for him; the solution; both grand and no land was hitting in Santa Claus' backyard where he leveled the icey (lakey) pool of Santa Claus -- the solution was the Pool Guardian of Santa -- the solution was the one of interchanged consciousness feeling (giving) the Pool Guardian the Santa Claus consciousness (in addition to his own).
So; out on duty this new Pool Guardian Santa hybrid managed to sustain his territories (as of Christmas giftbearing (and Pool Guardian)) to only include sites with both a duty for Christmas giftbearing activities and a pool cleaning duty.
Out on the field this new Pool Guardian Santa soon found demand and was in for a visit to a house (with pool) and Christmas giftbearing activities scheduled. One thing about this house stood out as outside the norm thue; the Christmas present (it was only one) delivered was several square meters.
The Pool Guardian Santa; using his ability to dig deep soon found out that the large Christmas gift included a 'Doomsday Device' (found conceptual relational installation). Furtheron; using his [the Pool Guardian Santa] ability to perfectly heat a situation under certain conditions he managed to get it open before the Christmas ceremony and then; using his ability to differentiate between the bait and the wheat the Pool Guardian Santa succesfully undid its functioning by disconnecting some cords (in the opened package of the 'Doomsday Device' ('The Pool Keeper Who Knew Too Much' (art film))).
Santa Claus (the Pool Guardian) was once again victorious.
And so the world was once again saved.
// Henrik Aronsson (Other Persona)
It was the day to end all days; coming into 2693 Santa Claus found himself w/o elves (which he had to release after not paying their wager for some time); w/o ability to sustain the demand for Christmas gifts; and on top of it all (the icing on the cake) Santa Claus had left himself head- and heartbroken in need of a rest.
But it was one thing he could do; one personnel that maybe could fill in for him; the solution; both grand and no land was hitting in Santa Claus' backyard where he leveled the icey (lakey) pool of Santa Claus -- the solution was the Pool Guardian of Santa -- the solution was the one of interchanged consciousness feeling (giving) the Pool Guardian the Santa Claus consciousness (in addition to his own).
So; out on duty this new Pool Guardian Santa hybrid managed to sustain his territories (as of Christmas giftbearing (and Pool Guardian)) to only include sites with both a duty for Christmas giftbearing activities and a pool cleaning duty.
Out on the field this new Pool Guardian Santa soon found demand and was in for a visit to a house (with pool) and Christmas giftbearing activities scheduled. One thing about this house stood out as outside the norm thue; the Christmas present (it was only one) delivered was several square meters.
The Pool Guardian Santa; using his ability to dig deep soon found out that the large Christmas gift included a 'Doomsday Device' (found conceptual relational installation). Furtheron; using his [the Pool Guardian Santa] ability to perfectly heat a situation under certain conditions he managed to get it open before the Christmas ceremony and then; using his ability to differentiate between the bait and the wheat the Pool Guardian Santa succesfully undid its functioning by disconnecting some cords (in the opened package of the 'Doomsday Device' ('The Pool Keeper Who Knew Too Much' (art film))).
Santa Claus (the Pool Guardian) was once again victorious.
And so the world was once again saved.
// Henrik Aronsson (Other Persona)
onsdag 22 juli 2020
Santa Claus Conquers Andy Warhol
A resurrected Andy Warhol is commensing a break-in with the local senior high school to get his lost drawings (to complete a full catalogue raisonne) when Martians interrupt as Andy Warhol is about to steal this movie. The Martians then copy this movie and sell it on their yardsale. This is when Valerie Solanas interrupt killing all the Martians (all Martians were male) but glitch the movie in the process until Santa Claus arrives defeating Andy Warhol and saves the movie on the bye. Fantomex then arrives saving the end credits from Valerie Solanas' might.
// Event Municipation FvoMjw
// Event Municipation FvoMjw
söndag 19 juli 2020
Nils Bergman - Gryningspyromanen [Konstvärlden]
Gryningspyromanen
Catch Me If You Can-vibbar när Dan Granvik jagar Gryningspyromanen.
// Event Municipation AvbVmn
Catch Me If You Can-vibbar när Dan Granvik jagar Gryningspyromanen.
// Event Municipation AvbVmn
fredag 8 maj 2020
Santa Claus i ett positionellt gudaperspektiv
Jultomten av Spatialistic Installation
We have 2218 ahead of us when the science world finally solve century old theorems (Shing-Tung Yau; Gang Tian ('Rest In (S)pace') (flop transition) (Science World)) showing that the spacetime continuum can be ripped apart.
But it's not until a mere century forward in time (2318) that the science world - via a black hole (synced in space by two arbitrary science colleagiums (science institutions) (black hole versus white hole)) - can move in space via a ripped space and time (the black hole) ('Reap In (S)pace') (black hole, white hole, non-interstellar teleportation) (Science World).
Then - a mild trip 100 years moreover (2418) - it came to be that one of these science institutions (bearing ground to one of the black hole's end stations) got on to destruction and on top of it an art institution was build (with the black hole (white hole) still in contention) meaning you could now travel (non-interstellar teleportation) from the science world to the art world ('Result In (S)pace').
This is when 28-year-old (artist) Mathilda Lumnergart enters the story with her powers of foreseeing the future (one of many possible) (2518) and inso builds a transportation from the one art institution (one of the black holes' end stations) and another one art institution (in the close vicinity) ('Reposition In (S)pace' (installation)).
Santa Claus so buys this art piece (300 billions) (meaning Santa Claus had to put the whole of the North Pole on mortgage) and gives it to God as a Christmas gift.
Under God's care - as his mandate as a ten-dimensional being - the art piece is then rebranded as a worm hole connecting the two art institutions ('Reenacted In (S)pace') (spatialistic installation).
Santa Claus was once again victorious.
Mathilda Lumnergart was yet victorious.
God was yet victorious.
// Henrik Aronsson (Other Persona)
We have 2218 ahead of us when the science world finally solve century old theorems (Shing-Tung Yau; Gang Tian ('Rest In (S)pace') (flop transition) (Science World)) showing that the spacetime continuum can be ripped apart.
But it's not until a mere century forward in time (2318) that the science world - via a black hole (synced in space by two arbitrary science colleagiums (science institutions) (black hole versus white hole)) - can move in space via a ripped space and time (the black hole) ('Reap In (S)pace') (black hole, white hole, non-interstellar teleportation) (Science World).
Then - a mild trip 100 years moreover (2418) - it came to be that one of these science institutions (bearing ground to one of the black hole's end stations) got on to destruction and on top of it an art institution was build (with the black hole (white hole) still in contention) meaning you could now travel (non-interstellar teleportation) from the science world to the art world ('Result In (S)pace').
This is when 28-year-old (artist) Mathilda Lumnergart enters the story with her powers of foreseeing the future (one of many possible) (2518) and inso builds a transportation from the one art institution (one of the black holes' end stations) and another one art institution (in the close vicinity) ('Reposition In (S)pace' (installation)).
Santa Claus so buys this art piece (300 billions) (meaning Santa Claus had to put the whole of the North Pole on mortgage) and gives it to God as a Christmas gift.
Under God's care - as his mandate as a ten-dimensional being - the art piece is then rebranded as a worm hole connecting the two art institutions ('Reenacted In (S)pace') (spatialistic installation).
Santa Claus was once again victorious.
Mathilda Lumnergart was yet victorious.
God was yet victorious.
// Henrik Aronsson (Other Persona)
söndag 19 april 2020
David Shrigley - Subtractor
Subtractor [Konstvärlden]
David Shrigley
Subtractor
586027A030101=H
relational sculpture, 2013
Subtractor i ett postmodernt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av skaparen (Gud). Om varje människa på jorden ska dela på en och samma entitets energi blir varje ny människas del en subtraktion av den tidigare summan av delmängden.
Subtractor i ett modernistiskt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av observatörer.
Subtractor i ett essentiellt perspektiv
Verket bevisar att konst existerar oberoende av kontext med en inneboende kvalitet hos konstobjektet.
Subtractor [Kalkylivärlden]
David Shrigley
Subtractor
586027A030101=H
subtraction, 2013
Subtractor i ett postmodernt perspektiv
Kalkyli.
Subtractor i ett modernistiskt perspektiv
Dyskalkyli.
Subtractor i ett essentiellt perspektiv
Miskalkyli.
Subtractor [Matematikvärlden]
David Shrigley
Subtractor
586027A030101=H
one-function pocket calculator, 2013
Subtractor i ett postmodernt perspektiv
Verket bevisar att konst och vetenskap (matematik) existerar i samklang och gör verket till på samma gång miniräknare (matematiskt objekt) (ofunnet) och konstobjekt (gigantisk miniräknare) (ofunnet).
Subtractor i ett modernistiskt perspektiv
Dyskalkyli.
Subtractor i ett essentiellt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av människan.
// Henrik IV & Niclas VI & Niclas VII
David Shrigley
Subtractor
586027A030101=H
relational sculpture, 2013
Subtractor i ett postmodernt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av skaparen (Gud). Om varje människa på jorden ska dela på en och samma entitets energi blir varje ny människas del en subtraktion av den tidigare summan av delmängden.
Subtractor i ett modernistiskt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av observatörer.
Subtractor i ett essentiellt perspektiv
Verket bevisar att konst existerar oberoende av kontext med en inneboende kvalitet hos konstobjektet.
Subtractor [Kalkylivärlden]
David Shrigley
Subtractor
586027A030101=H
subtraction, 2013
Subtractor i ett postmodernt perspektiv
Kalkyli.
Subtractor i ett modernistiskt perspektiv
Dyskalkyli.
Subtractor i ett essentiellt perspektiv
Miskalkyli.
Subtractor [Matematikvärlden]
David Shrigley
Subtractor
586027A030101=H
one-function pocket calculator, 2013
Subtractor i ett postmodernt perspektiv
Verket bevisar att konst och vetenskap (matematik) existerar i samklang och gör verket till på samma gång miniräknare (matematiskt objekt) (ofunnet) och konstobjekt (gigantisk miniräknare) (ofunnet).
Subtractor i ett modernistiskt perspektiv
Dyskalkyli.
Subtractor i ett essentiellt perspektiv
Verket bevisar att matematiken kan existera enbart med subtraktioner men inte oberoende av människan.
// Henrik IV & Niclas VI & Niclas VII
söndag 15 mars 2020
Johannes Stjärne Nilsson, Ola Simonsson - Music For One Apartment And Six Drummers
Music For One Apartment And Six Drummers [Musikvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
rock and art, 2001
Föremål i lägenhet får agera musikinstrument med sex trumslagare.
Music For One Apartment And Six Drummers [Konstvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
art film, 2001
Föremål i lägenhet får agera musikinstrument med in gest mot 'The Way Things Go'.
// Niclas V & Niclas VI & Niclas VII
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
rock and art, 2001
Föremål i lägenhet får agera musikinstrument med sex trumslagare.
Music For One Apartment And Six Drummers [Konstvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
art film, 2001
Föremål i lägenhet får agera musikinstrument med in gest mot 'The Way Things Go'.
// Niclas V & Niclas VI & Niclas VII
söndag 8 mars 2020
Johannes Stjärne Nilsson, Ola Simonsson - Music For One Apartment And Six Drummers
Music For One Apartment And Six Drummers [Kortfilmsvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
conceptual, 2001
Föremål i lägenhet får agera musikinstrument med dramaturgisk början och dramaturgiskt slut.
Music For One Apartment And Six Drummers [Konstvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
art film, 2001
Föremål i lägenhet får agera musikinstrument med in gest mot 'The Way Things Go'.
// Niclas V & Niclas VI & Niclas VII
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
conceptual, 2001
Föremål i lägenhet får agera musikinstrument med dramaturgisk början och dramaturgiskt slut.
Music For One Apartment And Six Drummers [Konstvärlden]
Johannes Stjärne Nilsson, Ola Simonsson
Music For One Apartment And Six Drummers
586027A030101=H
art film, 2001
Föremål i lägenhet får agera musikinstrument med in gest mot 'The Way Things Go'.
// Niclas V & Niclas VI & Niclas VII
söndag 23 februari 2020
Dan Wolgers - Untitled
Untitled [Konstvärlden]
Dan Wolgers
Untitled
586027A030101=H
sculpture, 1987
Verket består av en kyrka i miniatyr med hundöron och är rikt på fantasi men lågt på kreativitet.
Untitled [Kyrkovärlden]
Dan Wolgers
Untitled
586027A030101=H
church with dog ears, 1987
Verket består av en kyrka med hundöron och är rikt på kreativitet men lågt på fantasi.
// Niclas VII & Henrik VII
Dan Wolgers
Untitled
586027A030101=H
sculpture, 1987
Verket består av en kyrka i miniatyr med hundöron och är rikt på fantasi men lågt på kreativitet.
Untitled [Kyrkovärlden]
Dan Wolgers
Untitled
586027A030101=H
church with dog ears, 1987
Verket består av en kyrka med hundöron och är rikt på kreativitet men lågt på fantasi.
// Niclas VII & Henrik VII
söndag 2 februari 2020
Niclas Citron - Mona Lisa Eats A Banana [Konstvärlden]
Mona Lisa Eats A Banana
Niclas Citron
Mona Lisa Eats A Banana
586027A020101=H
conceptual painting, 2019
// Niclas VII
Niclas Citron
Mona Lisa Eats A Banana
586027A020101=H
conceptual painting, 2019
// Niclas VII
söndag 26 januari 2020
Maurizio Cattelan - Comedian
Comedian [Konstvärlden]
Maurizio Cattelan
Comedian
586027A020101=H
site-specific banana, 2019
Comedian i ett postmodernt perspektiv
Many works is being renovated now and then but here the banana is interchanged with a fresh banana every and then making the work last forever (with a fresh look allthewhile).
Comedian i ett essentiellt perspektiv
The artist is here transfering any innate value from himself (the artist) to the art work.
Comedian i ett institutionellt perspektiv
If the art world says it's art the art piece becomes art.
Comedian i ett pop art-konstperspektiv
The question here arrise if any substitution (to a fresh banana) is defined as a copy or not.
Comedian i ett outsider art-konstperspektiv
The notion is that of the artist being downgraded from artist to comedian.
Comedian [Kostnvärlden]
Maurizio Cattelan
Comedian
586027A020101=H
found banana, 2019
Comedian i ett postmodernt perspektiv
The banana is here the banana.
Comedian i ett essentiellt perspektiv
The artist is here transfering any innate value from himself (the artist) to the art work.
Comedian i ett institutionellt perspektiv
If the art world says it's art the art piece becomes art.
Comedian i ett pop art-konstperspektiv
The banana is here a banana.
Comedian i ett outsider art-konstperspektiv
The banana is here not the banana and not a banana but some banana.
// Henrik VII
Maurizio Cattelan
Comedian
586027A020101=H
site-specific banana, 2019
Comedian i ett postmodernt perspektiv
Many works is being renovated now and then but here the banana is interchanged with a fresh banana every and then making the work last forever (with a fresh look allthewhile).
Comedian i ett essentiellt perspektiv
The artist is here transfering any innate value from himself (the artist) to the art work.
Comedian i ett institutionellt perspektiv
If the art world says it's art the art piece becomes art.
Comedian i ett pop art-konstperspektiv
The question here arrise if any substitution (to a fresh banana) is defined as a copy or not.
Comedian i ett outsider art-konstperspektiv
The notion is that of the artist being downgraded from artist to comedian.
Comedian [Kostnvärlden]
Maurizio Cattelan
Comedian
586027A020101=H
found banana, 2019
Comedian i ett postmodernt perspektiv
The banana is here the banana.
Comedian i ett essentiellt perspektiv
The artist is here transfering any innate value from himself (the artist) to the art work.
Comedian i ett institutionellt perspektiv
If the art world says it's art the art piece becomes art.
Comedian i ett pop art-konstperspektiv
The banana is here a banana.
Comedian i ett outsider art-konstperspektiv
The banana is here not the banana and not a banana but some banana.
// Henrik VII
söndag 12 januari 2020
Niclas Citron - Universe Generator [Konstvärlden]
Universe Generator
Niclas Citron
Universe Generator
586027A020101=H
found art studio, 2012
The crypt of a device that could create universes in a sort of a readymade installation - yet - some vintage computers in the art studio of the artist.
// Niclas III & Niclas IV & Niclas V & Niclas VI & Niclas VII
Niclas Citron
Universe Generator
586027A020101=H
found art studio, 2012
The crypt of a device that could create universes in a sort of a readymade installation - yet - some vintage computers in the art studio of the artist.
// Niclas III & Niclas IV & Niclas V & Niclas VI & Niclas VII
söndag 5 januari 2020
Maurizio Cattelan - Comedian
Comedian [Knostvärlden]
Maurizio Cattelan
Comedian
586027A0104D01=H
conceptual banana, 2019
Comedian i ett postpostmodernt perspektiv
The idea of the banana is the idea of all art pieces (that exist) and in the idea of the idea of the banana; the banana substitutes all existing art work.
Comedian i ett postmodernt perspektiv
The idea of the banana is the idea of all art pieces (of that specific artist) and in the idea of the idea of the banana; the banana substitutes all art work created by that artist.
Comedian i ett modernistiskt perspektiv
The banana substitutes all existing art works that is the banana constantly evolving with the replacement of the banana in action.
Comedian [Konstvärlden]
Maurizio Cattelan
Comedian
586027A0104D01=H
site-specific banana, 2019
Comedian i ett postpostmodernt perspektiv
The banana substitutes all existing art works at this (that) museum.
Comedian i ett postmodernt perspektiv
The art work highlights trade and bananas in a way to raise ethical questions regarding the banana industry.
Comedian i ett modernistiskt perspektiv
In a way of perhaps the cheapest art work ever created it way sold for $120000.
Comedian [Komedivärlden]
Maurizio Cattelan
Comedian
586027A0104D01=H
conceptual slapstick, 2019
Comedian i ett postpostmodernt konstperspektiv
Verket symboliserar hur konstnären halkat in på ett bananskal i konstvärlden.
Comedian i ett postmodernt perspektiv
The art work highlights trade and bananas in a twist of relational art.
Comedian i ett modernistiskt perspektiv
In a way of perhaps the cheapest art work ever created it way sold for $120000 in a Damien Hirst-esq twist.
// Henrik VII & Niclas¤
Maurizio Cattelan
Comedian
586027A0104D01=H
conceptual banana, 2019
Comedian i ett postpostmodernt perspektiv
The idea of the banana is the idea of all art pieces (that exist) and in the idea of the idea of the banana; the banana substitutes all existing art work.
Comedian i ett postmodernt perspektiv
The idea of the banana is the idea of all art pieces (of that specific artist) and in the idea of the idea of the banana; the banana substitutes all art work created by that artist.
Comedian i ett modernistiskt perspektiv
The banana substitutes all existing art works that is the banana constantly evolving with the replacement of the banana in action.
Comedian [Konstvärlden]
Maurizio Cattelan
Comedian
586027A0104D01=H
site-specific banana, 2019
Comedian i ett postpostmodernt perspektiv
The banana substitutes all existing art works at this (that) museum.
Comedian i ett postmodernt perspektiv
The art work highlights trade and bananas in a way to raise ethical questions regarding the banana industry.
Comedian i ett modernistiskt perspektiv
In a way of perhaps the cheapest art work ever created it way sold for $120000.
Comedian [Komedivärlden]
Maurizio Cattelan
Comedian
586027A0104D01=H
conceptual slapstick, 2019
Comedian i ett postpostmodernt konstperspektiv
Verket symboliserar hur konstnären halkat in på ett bananskal i konstvärlden.
Comedian i ett postmodernt perspektiv
The art work highlights trade and bananas in a twist of relational art.
Comedian i ett modernistiskt perspektiv
In a way of perhaps the cheapest art work ever created it way sold for $120000 in a Damien Hirst-esq twist.
// Henrik VII & Niclas¤
tisdag 24 december 2019
Santa Claus i ett neo-dadaistiskt konstperspektiv
Santa Claus i ett neo-dadaistiskt konstperspektiv
2430 - new time - new rules (of the artworld) - the artworld is on its decay with several key works no longer classified as art. It all started with a proposal leaving everyday people in charge of the art world institution with the s.c art jury duty.
One work that didn't go through (with this new panel) was 'Kvik Kitchen' (relational concept aesthetics) (2410) as the art panel no longer deemed a cool kitchen in line with the Declaration of Human Rights ('Everybody has a right to a cool kitchen'). 'Kvik Kitchen' was then transformed in line with the 'Home Decoration World'.
Furtheron; 'Mona Lisa' (spatialistic performance) ('Adolf Hitler') (2420) (with her boobs clearly on display); was then transformed in line with the 'Porn World'.
Further on; 'Damien Hirst's' The Physical Impossibility Of Death In The Mind Of Someone Living' was also declared anti-art as the tiger shark was deemed an endangered specie. This work was also transformed (('Shark') (ocean salt water surface catch) (2426) ('Fishing World')).
But a new climate was on its course as new jurymembers (far left; historicians; one outdated artist) lobbyied for a return of the above numbered pieces.
Firston; even if the kitchen of Kvik wasn't art, new proposals (within the art jury (historicians)) left 'Kvik Bath Room' ('Art World') (2430) as art. Secondly - the outdated artist painted a jacket on 'Mona Lisa' (intervention) ('Art World') (2430) - leaving the painting ones again as art - and thirdon; the art jury far left flank deemed (on an utilitarist point of view) the feelings of endangered tiger sharks undermined by the feelings of the original artist and so 'Hirst's' tiger shark in formaldehyde was also this piece once again art (('Beautiful Inside My Head Forever') ('Art World') (2430)).
And so the artworld was once again saved.
// Henrik Aronsson (Other Persona)
2430 - new time - new rules (of the artworld) - the artworld is on its decay with several key works no longer classified as art. It all started with a proposal leaving everyday people in charge of the art world institution with the s.c art jury duty.
One work that didn't go through (with this new panel) was 'Kvik Kitchen' (relational concept aesthetics) (2410) as the art panel no longer deemed a cool kitchen in line with the Declaration of Human Rights ('Everybody has a right to a cool kitchen'). 'Kvik Kitchen' was then transformed in line with the 'Home Decoration World'.
Furtheron; 'Mona Lisa' (spatialistic performance) ('Adolf Hitler') (2420) (with her boobs clearly on display); was then transformed in line with the 'Porn World'.
Further on; 'Damien Hirst's' The Physical Impossibility Of Death In The Mind Of Someone Living' was also declared anti-art as the tiger shark was deemed an endangered specie. This work was also transformed (('Shark') (ocean salt water surface catch) (2426) ('Fishing World')).
But a new climate was on its course as new jurymembers (far left; historicians; one outdated artist) lobbyied for a return of the above numbered pieces.
Firston; even if the kitchen of Kvik wasn't art, new proposals (within the art jury (historicians)) left 'Kvik Bath Room' ('Art World') (2430) as art. Secondly - the outdated artist painted a jacket on 'Mona Lisa' (intervention) ('Art World') (2430) - leaving the painting ones again as art - and thirdon; the art jury far left flank deemed (on an utilitarist point of view) the feelings of endangered tiger sharks undermined by the feelings of the original artist and so 'Hirst's' tiger shark in formaldehyde was also this piece once again art (('Beautiful Inside My Head Forever') ('Art World') (2430)).
And so the artworld was once again saved.
// Henrik Aronsson (Other Persona)
söndag 8 december 2019
Peter Johansson, Barbro Westling - The Demolishment Of The Carl Larsson Farmyard [Konstvärlden]
The Demolishment Of The Carl Larsson Farmyard
Peter Johansson, Barbro Westling
The Demolishment Of The Carl Larsson Farmyard
586027A010401=H
anti-architecture, 2008
The idea of the demolished Carl Larsson Farmyard.
// Henrik VII
Peter Johansson, Barbro Westling
The Demolishment Of The Carl Larsson Farmyard
586027A010401=H
anti-architecture, 2008
The idea of the demolished Carl Larsson Farmyard.
// Henrik VII
torsdag 21 november 2019
Santa Claus i ett superfiktivt konceptperspektiv
Jultomten på Pool Keeper
In an alternate reality; 2691 is once again (once different) and the recent-hired Pool Keeper works next as Santa Claus' pool cleanser.
On daytime that is - nighttime he deliver his time as a spare-time superhero (semi-professional superhero ('-He is ... the Pool Keeper' (!)) (deliver his time against his master foe (the Pool Cleaner)) (who recently stole 'Mona Lisa' from Santa Claus' collection))).
Everything works (not that good) as the Pool Keeper have no tracks at all for the lost art piece - that is when he start investigate the recent (and not so recent) history of the painting (the stolen goods) 'Mona Lisa' and finds out that 'Mona Lisa' too was a superhero (ta-daa (!)).
Upon this discovery 'Mona Lisa's' (not so discunt) price moves up several hundred billions making it almost entirely difficult to sell (too bad for the Pool Cleaner).
Santa Claus was once again victorious.
The Pool Keeper was yet victorious.
The Pool Cleaner was yet defeated.
And so the artworld was once again saved.
// Henrik Aronsson (Other Persona)
In an alternate reality; 2691 is once again (once different) and the recent-hired Pool Keeper works next as Santa Claus' pool cleanser.
On daytime that is - nighttime he deliver his time as a spare-time superhero (semi-professional superhero ('-He is ... the Pool Keeper' (!)) (deliver his time against his master foe (the Pool Cleaner)) (who recently stole 'Mona Lisa' from Santa Claus' collection))).
Everything works (not that good) as the Pool Keeper have no tracks at all for the lost art piece - that is when he start investigate the recent (and not so recent) history of the painting (the stolen goods) 'Mona Lisa' and finds out that 'Mona Lisa' too was a superhero (ta-daa (!)).
Upon this discovery 'Mona Lisa's' (not so discunt) price moves up several hundred billions making it almost entirely difficult to sell (too bad for the Pool Cleaner).
Santa Claus was once again victorious.
The Pool Keeper was yet victorious.
The Pool Cleaner was yet defeated.
And so the artworld was once again saved.
// Henrik Aronsson (Other Persona)
torsdag 7 november 2019
Santa Claus i ett site-konstperspektiv
Santa Claus i ett site-konstperspektiv
Is it 4100 and Santa Claus have been kidnapped by Austrian torturers; his brain pattern some time before have been constriged as sending psychiatric Christmas gifts and that is exactly what the Austrians is in for.
The Austrians so continue to abuse Santa Claus and soon finds out a way of functioning in this brain gift-bearing and so is in control of the whole of the gift-bearing circus.
But when they send a 'My Little Pony' (art film)-brain pattern symbolification to Santa Claus' head elf they might have gone astray.
Santa Claus' head elf now attempt to posture his back-up (of Santa Claus' brain gift-bearing activity) and so soon finds out that something is wrong.
Running his brain script (for diagnosing potential gift-recievers as good or bad) he soon finds out that these Austrians are indeed very bad and on the naughtylist.
In doing this discovery Santa Claus is soon out of his dead-lock.
Santa Claus (and his head elf) was once again victorious.
And so Christmas was once again saved.
// Henrik Aronsson (Other Persona)
Is it 4100 and Santa Claus have been kidnapped by Austrian torturers; his brain pattern some time before have been constriged as sending psychiatric Christmas gifts and that is exactly what the Austrians is in for.
The Austrians so continue to abuse Santa Claus and soon finds out a way of functioning in this brain gift-bearing and so is in control of the whole of the gift-bearing circus.
But when they send a 'My Little Pony' (art film)-brain pattern symbolification to Santa Claus' head elf they might have gone astray.
Santa Claus' head elf now attempt to posture his back-up (of Santa Claus' brain gift-bearing activity) and so soon finds out that something is wrong.
Running his brain script (for diagnosing potential gift-recievers as good or bad) he soon finds out that these Austrians are indeed very bad and on the naughtylist.
In doing this discovery Santa Claus is soon out of his dead-lock.
Santa Claus (and his head elf) was once again victorious.
And so Christmas was once again saved.
// Henrik Aronsson (Other Persona)
söndag 27 oktober 2019
Sirous Namazi - Leaning Horizontal II (Athens)
Leaning Horizontal II (Athens) [Konstvärlden]
Sirous Namazi
Leaning Horizontal II (Athens)
586027A010401=H
installation, 2018
Med inspiration från Olle Baertling och spatialism blir här matvaruinstitutionen (ICA) till bisociativ diskurs.
Leaning Horizontal II (Athens) [ICA-världen]
Sirous Namazi
Leaning Horizontal II (Athens)
586027A010401=H
supermarket shelf, 2018
Med inspiration från Olle Baertling och spatialism blir här matvaruinstitutionen (ICA) till bisociativ diskurs.
// Henrik III
Sirous Namazi
Leaning Horizontal II (Athens)
586027A010401=H
installation, 2018
Med inspiration från Olle Baertling och spatialism blir här matvaruinstitutionen (ICA) till bisociativ diskurs.
Leaning Horizontal II (Athens) [ICA-världen]
Sirous Namazi
Leaning Horizontal II (Athens)
586027A010401=H
supermarket shelf, 2018
Med inspiration från Olle Baertling och spatialism blir här matvaruinstitutionen (ICA) till bisociativ diskurs.
// Henrik III
torsdag 24 oktober 2019
När Är Det Humor (Part 7)
När Är Det Humor (Part 7)
Introduktion
Jag vill i den här essän visa på modern prank/hidden camera-televiseringar (post-'Candid Camera') vilket jag gör genom först ett exempel på 'assisted pranks' (avant-garde humor) - senare ett exempel på 'directed pranks' (experimentell humor) - och till sist ett exempel på prank/performance (med gränsen mellan konst och humor).
Assisted Prank
Först och främst vill jag belysa humorserien 'Jackass' (2000) där vissa element var av typen prank/hidden camera men med mer utstuderad rekvisita än t.ex 'Candid Camera' där inslagen mer var av expressionistisk typ med subjektens reaktioner i fokus. Exempel på sådana pranks var t.ex ett inslag där en uppstoppad krokodil användes vid gathörn allt för subjekten att snubbla över när dem närmade sig gathörnet och ett annat prank som innefattade en babydocka (med kuvös) som lämnades kvar ovanpå objektets bil (efter ett besök på en bensinmack) men utan att subjekten på avstånd kunde skilja mellan babydocka och baby. Även här är subjektens reaktioner i fouks men inslagen är ändå betydligt mer avant-garde och använder sig av mer rekvisita än t.ex 'Candid Camera'. 'Jackass' hidden camera/pranks av den här typen väljer jag att kalla 'assisted prank'.
Directed Prank
Av typen (nästa steg i prank/hidden camera-evolutionen) esoterisk rekvisita/regisserade pranks ('directed prank') finner jag humorserien 'World Shut Your Mouth' (2005) med 'Dom Joly'. Här återfinns ett inslag med två busstopp där den ena är utrustad med fåtölj och alkoholhaltig dryck med garnitioner och den andra ett helt standardiserat busstopp. Här är tanken att inrusta en första klass-typifikation med busstopp som första led.
Prank/Performance
Något tidigare televiserad än ovanstående show vill jag upplysa svenska prank/hidden camera-serien 'Ursäkta röran! (Vi bygger om)' (2002). Med taglinen 'Ett wakeup-call för ett slumrande Sverige' fanns 'Fredrik Wikingsson' och 'Filip Hammar' med inslag som - dock kanske bara implicit - testade gränserna mellan humor (prank/hidden camera) och konst (performance). Här återfinns ett inslag (som exempel) med 'Emma Andersson' (kallat 'SM i nazireferens') där objekten - allt under förespeglingen av rutin-intervju - försöker referera nazisttermer - detta helt utan subjektets vetskap. Allt som allt refereras över 50 referenser i inslaget (som avslutas med en påa inför inslaget med 'Emma Andersson' i en t-shirt med texten 'Treblinka') som enligt objekten var skapat för att visa på (vissas) ignorans över ett historiskt mastodontiskt scheme.
// Niclas V & Niclas VII
Introduktion
Jag vill i den här essän visa på modern prank/hidden camera-televiseringar (post-'Candid Camera') vilket jag gör genom först ett exempel på 'assisted pranks' (avant-garde humor) - senare ett exempel på 'directed pranks' (experimentell humor) - och till sist ett exempel på prank/performance (med gränsen mellan konst och humor).
Assisted Prank
Först och främst vill jag belysa humorserien 'Jackass' (2000) där vissa element var av typen prank/hidden camera men med mer utstuderad rekvisita än t.ex 'Candid Camera' där inslagen mer var av expressionistisk typ med subjektens reaktioner i fokus. Exempel på sådana pranks var t.ex ett inslag där en uppstoppad krokodil användes vid gathörn allt för subjekten att snubbla över när dem närmade sig gathörnet och ett annat prank som innefattade en babydocka (med kuvös) som lämnades kvar ovanpå objektets bil (efter ett besök på en bensinmack) men utan att subjekten på avstånd kunde skilja mellan babydocka och baby. Även här är subjektens reaktioner i fouks men inslagen är ändå betydligt mer avant-garde och använder sig av mer rekvisita än t.ex 'Candid Camera'. 'Jackass' hidden camera/pranks av den här typen väljer jag att kalla 'assisted prank'.
Directed Prank
Av typen (nästa steg i prank/hidden camera-evolutionen) esoterisk rekvisita/regisserade pranks ('directed prank') finner jag humorserien 'World Shut Your Mouth' (2005) med 'Dom Joly'. Här återfinns ett inslag med två busstopp där den ena är utrustad med fåtölj och alkoholhaltig dryck med garnitioner och den andra ett helt standardiserat busstopp. Här är tanken att inrusta en första klass-typifikation med busstopp som första led.
Prank/Performance
Något tidigare televiserad än ovanstående show vill jag upplysa svenska prank/hidden camera-serien 'Ursäkta röran! (Vi bygger om)' (2002). Med taglinen 'Ett wakeup-call för ett slumrande Sverige' fanns 'Fredrik Wikingsson' och 'Filip Hammar' med inslag som - dock kanske bara implicit - testade gränserna mellan humor (prank/hidden camera) och konst (performance). Här återfinns ett inslag (som exempel) med 'Emma Andersson' (kallat 'SM i nazireferens') där objekten - allt under förespeglingen av rutin-intervju - försöker referera nazisttermer - detta helt utan subjektets vetskap. Allt som allt refereras över 50 referenser i inslaget (som avslutas med en påa inför inslaget med 'Emma Andersson' i en t-shirt med texten 'Treblinka') som enligt objekten var skapat för att visa på (vissas) ignorans över ett historiskt mastodontiskt scheme.
// Niclas V & Niclas VII
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