Jultomten av Spatialistic Installation
We have 2218 ahead of us when the science world finally solve century old theorems (Shing-Tung Yau; Gang Tian ('Rest In (S)pace') (flop transition) (Science World)) showing that the spacetime continuum can be ripped apart.
But it's not until a mere century forward in time (2318) that the science world - via a black hole (synced in space by two arbitrary science colleagiums (science institutions) (black hole versus white hole)) - can move in space via a ripped space and time (the black hole) ('Reap In (S)pace') (black hole, white hole, non-interstellar teleportation) (Science World).
Then - a mild trip 100 years moreover (2418) - it came to be that one of these science institutions (bearing ground to one of the black hole's end stations) got on to destruction and on top of it an art institution was build (with the black hole (white hole) still in contention) meaning you could now travel (non-interstellar teleportation) from the science world to the art world ('Result In (S)pace').
This is when 28-year-old (artist) Mathilda Lumnergart enters the story with her powers of foreseeing the future (one of many possible) (2518) and inso builds a transportation from the one art institution (one of the black holes' end stations) and another one art institution (in the close vicinity) ('Reposition In (S)pace' (installation)).
Santa Claus so buys this art piece (300 billions) (meaning Santa Claus had to put the whole of the North Pole on mortgage) and gives it to God as a Christmas gift.
Under God's care - as his mandate as a ten-dimensional being - the art piece is then rebranded as a worm hole connecting the two art institutions ('Reenacted In (S)pace') (spatialistic installation).
Santa Claus was once again victorious.
Mathilda Lumnergart was yet victorious.
God was yet victorious.
// Henrik Aronsson (Other Persona)
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