tisdag 23 januari 2018

Santa Claus i ett essentiellt konstperspektiv

Santa Claus i ett essentiellt konstperspektiv

In times of darkness and misogyny one man stands above the rest - with a moneychest to deep it can't leave him broke. He travels all over the world counting in those who are gratified for a gift - thue they are of a minority - this is the year 2100 and the world has gone mad - he is Santa Claus - the lone rider (riding his flying Delorean).

The list of good people - who hasn't just eaten their spinach but contributed to society - are on the verge of existence. All people all over the world has been hooked on to a narcissistic plague - a mass psychosis without the happy parts. When robots where introduced and IQ levels were highted all people existing on Earth went totally introverted. All people just turned their way to art - highlighing their possessions and striving the most out of them - but all the way there was no real artworld anymore - just as the artworld awoke some 10000000+ years ago it ceased with Josh Groban's 'The End Of The Art World' - a found installation relational performance happening. All the people of the world was now injected with different worlds for a minor list of people never connected with each other after internet broke down with Karen Watergate's 'Internet Was Never Here' (found site-specific relational installation).

But all was not so dark and misogyny - people found something to believe in – their respective art works existed for real - a pointer to absolute thinking. It's here Santa Claus gets in the picture - cause his christmas gifts (for the low minority of people still eligible) were art pieces he bought of a guy named Stan (Stan's art piece 'I Rule The Art World (I Am The Art World)' (found installation conceptual performance) left Stan with most of the art world's art works after the art world broke down.) And this was Santa Claus curse (or gift) since the whole of earth's population turned thieves and supposed to steal eachothers art works (all catalysts by 'These Are Mine' (found relational art hall) by David Winterbottom).

Santa Claus thue, thrived in this sorrounding - having long lost the days in which he had to be out the whole of Christmas Eve he could now get a normal 9-5 job (as Santa Claus(!) - as normal as it gets when your Santa Claus.) Since he found this strange metallic in the dungeouns of his place of resident (North Pole) and sold it on the commodity market he fired his elves and seek to find something that suited the Earth's nowadays population. As been of almost unlimited wealth he soon find something suitable for Earth's population. He was there to buy all of that current year's gifts from Stan. (As their was no real art market the value of the pieces was that of 2032 when the art world broke down.) Recompiling the list of actual gift receivers he detailed it to include the most valuable gifts (painting and sculpturing) for the most well-behaved and so on with the next last well-behaved and so on.

But this year he made an inclusion to that rule - he had already last year been in vain with how to handle twins - will they recieve one gift or two gifts - this year thue he decided (all on the grounds of niceness (both twins(?)) to give them one gift per twin (i.e two gifts).

But calculating bases for niceness and the compiled list Santa Claus found out one more inclusion that needs to rethink. What to do with siamesic twins (?) - are they just on the one end of gift or do they gather two gifts. Santa Claus soon decided to give them two gifts (Jackson Pollock's 'Number 17A' (200 million) (painting) and Constantin Brâncusi's 'Bird In Space' (35 million) (sculpture)).

Soon the Christmas Day was here and the siamesic twins recieved their gift. Drawing from that the siamesic twins restarted the meta-craftmaking and purged 'Number 17A' and 'Bird In Space' together resembling a combine ('Number 17 In Space'). This then led to the reinstallation of the art world - and a limitation of Santa Claus as art pieces now could be traded to and fro (not the same need for Christmas). Santa Claus once again became victorious.

// Henrik Aronsson (Other Persona)

måndag 22 januari 2018

Michel Gondry - Eternal Sunshine Of The Spotless Mind

Eternal Sunshine Of The Spotless Mind [Konstvärlden]



Michel Gondry
Eternal Sunshine Of The Spotless Mind
art film, 2004


Eternal Sunshine Of The Spotless Mind i ett kaotiskt system-perspektiv

In this edition of the movie - Joel reveals DNA-surging to find an exact copy of Clementine after he accidently deleted all his memories of Clementine. När han hittar en kopia gifter han sig med henne och skaffar barn (happely everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det strålande eviga sinnet'.


Eternal Sunshine Of The Spotless Mind i ett postmodernt perspektiv

In this edition of the movie - Joel travels the vast multiverse in search for the most perfect version of Clementine. När han hittar henne gifter dem sig och skaffar barn (happely everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det evigt belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett modernistiskt perspektiv

In this edition of the movie - Joel successfully deletes all his memories about Clementine and have to live without them. Han gifter sig och skaffar barn med någon annan ((happely) everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det sparsamt belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett neoklassicistiskt perspektiv

In this edition of the movie - Joel travels in time to delete all his memories of Clementine but sees only the emotions (disappear) conflicting with her. Dem gifter sig inom några år och skaffar barn (happely everafter).

Man kan tänk sig en svensk titel som 'Evigt solsken på det obekännande sinnet'.


Eternal Sunshine Of The Spotless Mind i ett abstrakt expressionistiskt perspektiv

In this edition of the movie - Joel unsuccessfully deletes all his memories about Clementine only to find out she was a nazi spy. Han gifter sig och skaffar barn med spionen. (long live everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det egendomligt belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett romantiskt perspektiv

In this edition of the movie - Joel successfully deletes all his memories of Clementine but - in the long run - finds uneasy to find someone like her again. Han gifter sig med flera andra och skaffar många barn (-happely everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det mörkt belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett daDAistiskt perspektiv

In this edition of the movie - Joel unsuccessfully deletes all his memories of Clementine only to realise she's an alien and know how to bypass this hindrance. Han gifter sig och skaffar barn med utomjordingen (everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det oförkunnande sinnet'.


Eternal Sunshine Of The Spotless Mind i ett klassicistiskt perspektiv

In this edition of the movie - Joel successfully deletes all his memories of Clementine but still longers her. Dem gifter sig inom några år och skaffar barn (happely everafter).

Man kan tänka sig en svensk titel som 'Evigt solsken på det belysta sinnet'.



Eternal Sunshine Of The Spotless Mind [Filmvärlden]



Michel Gondry
Eternal Sunshine Of The Spotless Mind
drama, romance, sci-fi, 2004


Eternal Sunshine Of The Spotless Mind i ett kaotiskt system-perspektiv

In this edition of the movie - Joel successfully deletes all his memories about Clementine only to find burrowed memories of his father inclining Clementine to be his father.

Man kan tänka sig en svensk titel som 'Evigt solsken på det omedvikliga sinnet'.


Eternal Sunshine Of The Spotless Mind i ett postmodernt perspektiv

In this edition of the movie - Joel successfully deletes all his memories about Clementine and then go about to delete friends and family as well. Det dröjer inte länge förren han har raderat every brainspot imagined.

Man kan tänka sig en svensk titel som 'Evigt solsken på det [o]belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett modernistiskt perspektiv

In this edition of the movie - Joel successfully deletes all but one memory of Clementine then travels the westside coast in search for the most perfect version of Clementine (DNA-branching).

Man kan tänka sig en svensk titel som 'Evigt solsken på det lyst belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett neoklassicistiskt perspektiv

In this edition of the movie - Joel successfully deletes all memories of Clementine only to search a telepathic link with a friend (still holding memories of Clementine) and thus reinstalling some of the memories.

Man kan tänka sig en svensk titel som 'Evigt solsken på det medlysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett abstrakt expressionistiskt perspektiv

In this edition of the movie - Joel unsuccessfully deletes all his memories of Clementine only to find out she's a cyborg who could delete - reform - add memories to any human being.

Man kan tänka sig en svensk titel som 'Evigt solsken på det ovidkommande sinnet'.


Eternal Sunshine Of The Spotless Mind i ett romantiskt perspektiv

In this edition of the movie - Joel successfully deletes all his memories of Clementine but go out to delete everyone who has done him hurt. Clementine ses sen som inte varande en av dem och Joel får tillbaks några minnen.

Man kan tänka sig en svensk titel som 'Evigt solsken på det olyst belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett daDAistiskt perspektiv

In this edition of the movie - Joel successfully deletes all his memories of Clementine only to realise she was a clone and therefore in needs to be deleted as well. Joel gifter sig och skaffar barn med klonen.

Man kan tänka sig en svensk titel som 'Evigt solsken på det (o)belysta sinnet'.


Eternal Sunshine Of The Spotless Mind i ett klassicistiskt perspektiv

In this edition of the movie - Joel successfully deletes all memories of Clementine then – in the wrong end of side - he finds more stuff belonging to her and reinstalls some of the memories.

Man kan tänka sig en svensk titel som 'Evigt solsken på det avlyst belysta sinnet'.

// Niclas¤ (Meta-Narrative & Narrative) & Niclas III

söndag 21 januari 2018

The Little Artists - Art Craziest Nation

Art Craziest Nation [Konstvärlden]



The Little Artists
Art Craziest Nation
sculpture art hall, 2005


Art Craziest Nation i ett postmodernt perspektiv

Verket blir här högst realistiskt och skapar ett andra liv - en andra utställning alltihop curerat av konstnärerna. Verket blir så inte bara LEGO-skulpturerna och konstnärernas lek med dem utan även en curatorslek.


Art Craziest Nation i ett modernistiskt perspektiv

Verket bygger på motsättningen av intrinsikalt värde; i konstnärerna's utställningshall spelar värdet mindre roll trots att utställningen innehåller flera av samtidens mest kända verk.


Art Craziest Nation i ett klassicistiskt perspektiv

Här blir kreativiteten och fantasin i LEGO-byggande synonymt med konst.



Art Craziest Nation [LEGO-världen]



The Little Artists
Art Craziest Nation
various small pieces, minifigs, 2005


Art Craziest Nation i ett postmodernt perspektiv

Utställningen använder sig av alla typer av LEGO-set.


Art Craziest Nation i ett modernistiskt perspektiv

Utställningrn använder sig av moderna typer av LEGO-set.


Art Craziest Nation i ett klassicistiskt perspektiv

Utställningen använder sig av modeller av LEGO Stad.

// Art (Other Personality Fantasy Creature)

Combine Performance

Combine Performance


This paper is supposed to be designed as to ways of conveying the concept of combine performances. There's four main characteristica each of will be given a precinct space in this text.


1. Nature

The combine performance is stated to be what combines is to classicistic art (modern) (mixture of painting and sculpture) but within the four-dimensional lane. It consists of both these four-dimensional scriptings as of (within mainly) performance and happening.

Performance
A performance is a (more or less) scripted way of art interaction acting within the four-dimensional lane given a specific time point. The performance is always solely existing (acting in a onetime-setting). Could be of both site (performance) and non-site (site-specific performance). The performance could be in front of a crowd (art connoisseurs) or without a crowd.

Happening
An happening is a non-scripted way of art labeling within the four-dimensional lane given no specific time point. The happening is always solely existing (acting in a onetime-setting). Could be of both site (happening) and non-site (site-specific happening). The happening is always without crowd.

Performance Happening (Combine Performance)
Mixing the two - performance and happening - leaves us with the instrumental combine performance.


2. Found objects

The combine performance is always working with found instances of a performance and an happening.

Found Performance
A found performance could be said to be a non-scripted; improvised performance held multiple times.

Found Happening
A found happening is an abstract pointer, giving direction to a happening.


3. Co-existing (Performance/Happening)

The concept of the combine performance with parlay as performance and happening is acting simultaneously (co-existing). With the former being impromptu the latter works as a pointer pointing at the combine performance.


4. Scripted

They could hereby be said to be of full-running script but as the same time non-instantaneously.

// Henrik Aronsson (Other Persona)

CPUWAR - Ultrapunk 5769

Ultrapunk 5769 [Konstvärlden]



CPUWAR
Ultrapunk 5769
electronic art music, 2010


Ultrapunk 5769 i ett postmodernt perspektiv

Verket är ett experiment med elektronik vs. poetics; found objects vs. made objects - poesin är en funnen aspekt medan breakcore (trashcore)-trummorna är skapade. Här blir slagverken till ackompanjemang till poesin likt 'Huelsenbeck's' 'Dada Drummer'. Även; likt breakcore-slagverken blir trashcore övergår så poesin från naturalism till meta-fysik. Här finns också en brytpunkt (komisk) när den omisstjänliga poesin övergår till galenskapen i breakcore-slagverken.


Ultrapunk 5769 i ett modernistiskt perspektiv

Verket är ett experiment med elektronik vs. poetics; found objects vs. sequence of found objects - poesin är en funnen aspekt; breakcore (trashcore)-trummorna är elektroniskt arrangerade - av trum-ljud som här blir till funna komponenter.


Ultrapunk 5769 i ett dadaistiskt perspektiv

Verket är ett experiment med elektronik vs. poetics; found object vs. sequence of made objects - poesin är en funnen aspekt; breakcore (trashcore)-trummorna är elektroniskt arrangerade - med närhet till slumpen med trummor programmerade i flera ljud-layers.



Ultrapunk 5769 [Musikvärlden]



CPUWAR
Ultrapunk 5769
breakcore, thrashcore, 2010


Ultrapunk 5769 i ett postmodernt perspektiv

Verket är ett experiment med elektronik vs. poetics; elements of chance vs. elements of predetermined - breakcore (trashcore)-trummorna är här nästintill slumpmässiga men upplevs inte som så då poesin blivit del av verket.


Ultrapunk 5769 i ett modernistiskt perspektiv

Verket är ett experiment med elektronik vs. poetics; found objects vs. element of found objects - poesin är en funnen aspekt medan breakcore (trashcore)-trummorna är skapade av funna trum-ljud från the 'Amen Break'.


Ultrapunk 5769 i ett dadaistiskt perspektiv

Verket är ett experiment med elektronik vs. poetics; vague object vs. unvague objects - trummorna blir här till en vag interaktion medan poesin blir till en ovag interaktion.

// Niclas¤

lördag 20 januari 2018

Maurizio Cattelan - Another Fucking Readymade

Another Fucking Readymade [Konstvärlden]



Maurizio Cattelan
Another Fucking Readymade
found art hall, 1996


Another Fucking Readymade i ett postmodernt perspektiv

Titeln implicerar ett verk men blir här istället en utställning - vilket (titeln till trots) är ett verk av originär härkomst. Likaledes ifrågasetts om utställningen är en kopia av 'Galerie Bloom' då den har blivit rebranded (ny utställningshall - ny titel).


Another Fucking Readymade i ett modernistiskt perspektiv

Verket blir här ett exempel på konstvärlden's hierarki - konsten tillhör den som har mest inflytande i konstvärlden.


Another Fucking Readymade i ett klassicistiskt perspekiv

Här blir verket del av utställningen 'Crap Shoot'.



Another Fucking Readymade [Konstvärlden]



Paul de Revs
Another Fucking Readymade
art hall, 1996


Another Fucking Readymade i ett postmodernt perspektiv

Verket visar på det funnas motkraft; här blir utställningen kopia av 'De Appel Arts Centre's' utställning.


Another Fucking Readymade i ett modernistiskt perspektiv

Verket blir här ett exempel på konstvärlden's hierarki - konsten tillhör den som har mest inflytande i konstvärlden.


Another Fucking Readymade i ett klassicistiskt perspektiv

Här blir verket del av utställningen 'Crap Shoot'.

// Fanny Shumpawemba (Niclas III's Fantasy Dentist (Fantasy Creature))