söndag 29 september 2019

Carl Michael von Hausswolf, Leif Elggren - Elgaland-Vargland

Elgaland-Vargaland [Konstvärlden]



Carl Michael von Hausswolf, Leif Elggren
Elgaland-Vargaland
586027A010301=H
micronation, 1992


Konungarikena Elgaland-Vargaland är en mikronation vilken definieras av gränsytorna mellan nationer and is, as it translates into travelling into other forms - such as dream states - the manifestation of the six dimension.



Elgaland-Vargaland [Nationsvärlden]



Carl Michael von Hausswolf, Leif Elggren
Elgaland-Vargaland
586027A010301=H
micronation, kingdom, 1992


Konungarikena Elgaland-Vargaland är en mikronation vilken definieras av gränsytorna mellan nationer.

// Niclas VI & Henrik II

lördag 21 september 2019

Santa Claus i ett metanarrativt konceptperspektiv

Jultomten på Pool Cleaner

So; Santa Claus lives on with his resident highly luxurous at the center (of the world) of the North Pole (2692) until one day things got a little different.

To start off - Santa Claus regathered 'Mona Lisa' from the gift-applicant (who died (!) - hence the retake).

To set it up - Santa Claus Pool Cleaner deeply wants the aforementioned painting and tries to break in (use his occupation-garnered keys (!)).

To reach the climax - the Pool Cleaner does actually break in and steals the painting and does use it as his love doll ('-she always smiles at me') (objectum sexuality).

This is when the 'Story Tellers' (conceptual relational) breaks into the story and strictly tells the Pool Cleaner that you can't have a Pool Cleaner like this in any story (!).

To solve it - the Pool Cleaner does use the painting [Mona Lisa] as a ransom for a switch of the painting and Mrs. Claus.

To round it off - the Pool Cleaner gets Mrs. Claus ('-yes, as his mate (!)') and Santa Claus gets the painting back.

Santa Claus (and the Pool Cleaner) was once again victorious.

// Henrik Aronsson (Other Persona)

fredag 20 september 2019

När Är Det Humor (Part 6)

När Är Det Humor (Part 6)


Introduktion

Jag ska i den här essän diskutera den moderna komedins begrepp horror comedy. Först visar jag på uppkomsten av begreppet för att sedan diskutera vidare (med exemplifiering ('Tim and Eric's Bed-time Stories')) för att till sist se om begreppet implicerar humorvärlden (eller kanske konstvärlden).


Etymologi

Termen horror comedy kan särpräglas bak till variete/sketch-serien 'Wonder Showzen' (2006) där en återkommande sketch visade tragiska scener (med bylinen not funny) och slapstick-inspirerade scener (med bylinen funny) växlandes mellan de två kategorierna tills det inte gick att särskilja på komiska scener och tragiska scener. Det förmenta steget till att utkristallisera termen horror comedy kom dock inte förrens 2014 iochmed ('Too Many Cooks') (infomerical (adult swim)). Här växlas scener inspirerade av golden age television-intros med temat matlagning för att progressivt växla till mordiska mad chefs med kockkniven som vapen.


Variationer (Tim and Eric's Bedtime Stories)

Med televiseringen av 'Time and Eric's Bedtime Stories' uppkom ett flertal varianter på temat - allt med Time and Eric's genuina stil - varmed några kan tolkas som surreal horror; surreal comedy; comic horror-drama; comic horror-science fiction; absurd horror och slapstick horror.


Horror + Comedy ≠ Horror & Comedy

Problemet med termen blir här att inte bara parodiera horror-video eller att bara göra horror-video med en absurd plot men att göra videon genuint skräckartad och rolig återkopplandes mellan dem två tillstånden för att definiera den till icke-skräck och icke-komedi men en horror comedy bara definierad till just det - en horror comedy.


Horror + Comedy = Horror Comedy

Som slutsats kan sägas att horror comedy inte är humortypifierad utan existerar som en dualitet endast gångbar som en faktorisering mellan de två (horror + comedy). Denna typifiering gäller även för en konstdiskurs där samma faktorisering gäller för att existentialisera begreppet (horror+comedy).

// Niclas VI & Niclas VII

lördag 14 september 2019

Santa Claus i ett utvecklingsstört reseperspektiv

Jultomten i Snow Bear (North Pole)

It's a new year; we have come to 2375; but Santa Claus still lingers with money problem. Selling out Chistmas to Ivory Coast didn't reach the wanted effect and Santa Claus now finds a way in selling out Christmas to retarded snow bears.

Selling out Christmas to 'The United Nation of Snow Bears (North Pole)' seemed at first hand a good idea since the head snow bear had won 81 golds in the 'Snow Bear Paralympics'. Albeit; the head snow bear - and practically every other bear; didn't seem to know the difference with right and wrong (right and left) missing key points in interaction between gift-recipients and in navigation between said gift-recipients ('Even if you win (in the 'Snow Bear Paralympics') you're still retarded (and a snow bear)').

A worthwhile solution got itself presented with GPS-navigator chip included within the snow bears brains allowing them to find ways in greater areas. The interaction inbetween their "customers" didn't got solved although with some instances of snow bears eating some grand mothers for snacks inbetween the gift-bearing.

A solution to this then (at last) found a way with some breeding between (peaceful) brown bears in a Swedish Zoo and some snow bears. The brown snow bears then could conquer the world (in every way the Christmas gift-bearing) (with the assistance of Santa Claus).

And so Christmas was once again saved.

Santa Claus was once again victorious.

// Henrik Aronsson (Other Persona)

lördag 7 september 2019

Santa Claus i ett hypermodernt konstperspektiv

Santa Claus i ett hypermodernt konstperspektiv

Switzerland 4250 - The country of promise and fortune in a golden era - or atleast the Christmas fortune of one lucky boy who have eaten his spinach every day - and with it promise of whatever he wants for Christmas even if it ends up being a Swiss murder weapon (conceptual sculpture) - a chainsaw with a knife and some syringe in a needle (enough for killing a large goat (or a living person)).

But this guy (the Christmas recipient) isn't quite of the aggressive kind - until he gets his spinach solution with some arsenic - altough he survives his rage was supersceding. So it come to the situation that he became a serial killer preying on Christmas recipients killing them and hijacking their Christmas presents in the meantime.

Noone really reacted though until the mad serial killer threatened to blow up the whole of Switzerland and grabbing every Christmas present of all of the Swiss Christmas recipients in the process - only then Santa Claus reacted and took the role of Swiss saviour.

Although it didn't start of very well with Santa Claus cutting the wrong wire (on the mega large bomb planted by the mad Swiss serial killer (and serial bomber)) and so could only byline the inevident - the blow up of the whole of Switzerland.

Luckily though - as everyone had planned for Santa Claus to hail the situation - Santa Claus had bet on the other way around and could so eager with a very large bunch of cash (ahead of the blow up (by the mad Swiss serial killer (serial bomber))) - large enough to be able to finance the rebuilt of Switzerland and to hire mercenaries to hunt down the mad Swiss serial killer (serial bomber).

And so the mad Swiss serial killer (serial bomber) was yet a failure.

And so Switzerland was yet saved.

Santa Claus was once again victorious.

// Henrik Aronsson (Other Persona)