Anna Odell - Okänd, Kvinna 2009-349701 i ett surrealistiskt perspektiv

Okänd, Kvinna 2009-349701 [Haronsson's konstvärld]



Anna Odell
Okänd, Kvinna 2009-349701
5860120301=H
reversed psycho-social, 2009


Här ges verket en form av inverterad kausalitet (art world --> psychiatry world) men fungerar även vid likvid kausalitet (psychiatry world --> art world).

// Niclas VI

Santa Claus i ett nyhetsorienterat konceptperspektiv

Jultomten på Nyheterna

3500 is just around the corner and Santa Claus business has been legimitimized. Everyone of us could now get a Santa license if you just comply with the boot camp training that forsees it. All possible Santa Clauses could then see their Santa bidding instructions fully inscripted within Svenska Degbladet (Sweden territories).

But this Christmas wasn't one of that - mr. Sevensson going for the Santa bidding (just out to get the newspaper Christmas Day (Eve) post-noon) of his neighbourhood saw Svenska Degbladet sold out and had to comply with a Bamse publication. And so the Christmas presents for his neighbourhood included Thunder Honey as soft packages and Sleep/Eat Clock as hard packages.

Santa Claus himself then turned in his veto and overhauled the Sleep/Eat Clock for a Working/Slacking Clock (working on the same coefficients). This way the Sevensson and his comrades could now get the job done even without Svenska Degbladet (if we postulate a Christmas gift-bearing that includes the Santa legitimates).

Santa Claus was once again victorious.

And so Christmas was once again saved.

// Henrik Aronsson (Other Persona)

Santa Claus i ett cinematiskt reseperspektiv

Jultomten i Hollywood

Cinema Package
I Am Santa Claus
Mission To Mars
Starship Troopers - Traitor Of Mars
The Last Days On Mars
Santa Claus - Serial Rapist
The Santa Incident
Biker Mice from Mars
Where The #$&% Is Santa Claus
The Year Without A Santa Claus
Santa Hunters
Yes Virginia, There Is A Santa Claus



Having just recieved a copy of 'Santa Claus Conquers The Martians' (sequel) (in 3255) the Martians counter-attack was one with overwriting their copies of the aformentioned movie with the movie 'Mars Attacks!' (1996).

Santa Claus move then was to send the Martians a cinema package so that they would have to be up all night watching movies (no art stealing) (original cinema package - 'I Am Santa Claus' (2014) - 'Mission To Mars' (2000) - 'Starship Troopers - Traitor Of Mars' (2017) - 'The Last Days On Mars' (2013)).

The Martians thue; where hot on its heels starting to screen the movies on specific cultural cinemas (thus enabling them art). The then most recent movie included in the cinema package was 'Santa Claus - Serial Rapist' (2016) and 'The Santa Incident' (2010).

Following the tides unto this recent cinema package Santa Claus (from a prison cell (see above)) was sending the Martians the TV-series (not art!) 'Biker Mice from Mars' which would devolute all Martians to mices riding bikes through space.

The Martians was then (to seemingly put an end to the battle) sending a needle update on the cinema package with 'Where The #$&% Is Santa Claus' (2008) (not art) and 'The Year Without A Santa Claus' (1974) (not art).

Putting the artfactor in this recent update on the cinema package (battle) Santa Claus edited out the ending on 'Where The #$&% Is Santa Claus' and 'The Year Without A Santa Claus' (turning them art) thus freeing himself from the captivity instigating a final note to the Martians with (cinema package update) 'Yes Virginia, There Is A Santa Claus' (1991), 'Santa Hunters' (2014) and 'Santa Claus Conquers The Martians III - Bringing An End To The Martian Threat' (2192).

Santa Claus was once again victorious.

And so Christmas (and the world) was once again saved.

// Henrik Aronsson (Other Persona)

Unknown Grobians - Our Legislator [Grobianvärlden]

Our Legislator



Unknown Grobians
Our Legislator
5860120201=H
how we think, 2019

// Niclas V

Yves Klein - International Klein Blue

International Klein Blue [Konstvärlden]



Yves Klein
International Klein Blue
5860120201=H
painting, 1962


International Klein Blue i ett postmodernt perspektiv

Verket är en klein-blåtavla med kanvas.


International Klein Blue i ett modernistiskt perspektiv

Verket är en tavla målad med International Klein Blue.


International Klein Blue i ett minimalistiskt perspektiv

Verket är en tavla målad i en blånyans.


International Klein Blue i ett pop art-perspektiv

Verket är en serie tavlor målade med blå färg.


International Klein Blue i ett romantiskt perspektiv

Verket är en blåmålad tavla.


International Klein Blue i ett klassicistiskt perspektiv

Verket är en blå tavla.



International Klein Blue [Monochromismvärlden]



Yves Klein
International Klein Blue
5860120201=H
monochrome painting, 1962


International Klein Blue i ett postmodernt perspektiv

Verket är ett bildkonstverk målat med International Klein Blue.


International Klein Blue i ett modernistiskt perspektiv

Verket är en tavla målad med International Klein Blue.


International Klein Blue i ett minimalistiskt perspektiv

Verket är en blå nyans.


International Klein Blue i ett pop art-perspektiv

Verket är en serie tavlor målade med blå färg.


International Klein Blue i ett romantiskt perspektiv

Verket är en tavla målad i en blånyans.


International Klein Blue i ett klassicistiskt perspektiv

Verket är en tavla målad i en nyans.

// Arreality Rightfully Thorough (Fantasy Creature) & Arreality Reconfigurating Craf(t) (Fantasy Creature)

Santa Claus i ett post-strukturalistiskt konstperspektiv

Santa Claus i ett post-strukturalistiskt konstperspektiv

The years and decades move on (3250) and Santa Claus now thrives being in charge of both the art world and the Christmas world. It could have been almost perfect if it wasn't for the threat from the Martians. For quite some time the Martians have made threats of stealing Christmas one art peice a time without anyone taking them seriously since precautionary measures have been made in context of the art world. The methods used included a move of all exhibitions to around noon daytime cause the Martians (as well as humans) regarded art to be valued better at night time.

But then came the Martians base-installation on Moon and with that an attack (theft) on the recent Bærtling-exhibition in Australia. Daytime in Australia means nighttime on Moon and with the 'Deny' (Bærtling) and 'Iry' (Bærtling) in their hands not just the art world was threatened but also the transfer of the Bærtling's to include all existing life on Earth.

Santa soon found some new-won peace as he sent the Martians Tracey Emin's 'My Bed' and with that the Martians found a new lifestyle in going to sleep early and sleep all night. But the Martians then turned everything around again with some gene-coding allowing them to be able to stay up all day (and night) long without any sleep.

Santa Claus' new turn saw the Earthlings well in the front again after Santa Claus (and the Earthlings) sent the Martians Andy Warhol's 'Empire'. The Martians now could be seen of no threat as they spent all night long watching 'Empire' (every night) (8h).

The Martians then (on the counter-attack) saw to steal Empire State Building and so now they could watch the building on day-time (and steal art on nighttime) as the building is not included as a work of art.

But Santa Claus got the final word in when he sent the Martians a copy of the art film 'Santa Claus Conquers The Martians 2 - Bringing You The Art World'.

Santa Claus was once again victorious.

And so Christmas (and the world) was once again saved.

// Henrik Aronsson (Other Persona)