Santa Claus i ett expressionistiskt konstperspektiv
The year is 2800 and the artworld is controlled by robotic artists coded by art pieces to exactly conviene with the man-created (and setup) artworld. Everything follows along smoothly until art pieces that recon feelings is started to be used as coding for the robots.
As part of the essence raw coding the robots of the then-world simply couldn't understand the expressionistic coding. This could have been a minor obstacle if it wasn't for the fact that the robots raw coding allowed them to be connected to institutions. As part of that a feeling had to be made corresponding to the subsequent institution.
As the robots then couldn't verify institutions for institutions Christmas started to loose its status and interference with other worlds started to erupt. The most fundane example of this was Easter mix up and undertaken as Christmas.
What was following befest of anarchy as the Easter Bunny - neither economically or by demands - could comply with the work of Santa Claus and Santa Claus couldn't comply with the work of the Easter Bunny.
Parting together with the Crane (and the worlds robot manifacturers); Santa Claus and the Easter Bunny soon found a solution to the problem by building robots mutated with chicken. The then robot chickens then took over the Easter deeds and Santa Claus continued with his holding with Christmas now that the mix-up with Easter was solved.
Santa Claus was once again victorious.
// Henrik Aronsson (Other Persona)
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