Installation Performance

The story starts with a reincarnated Doug Polk as a (smart) pig. The pig has started to get bad eyesight and wears glasses (in his older years). The pig has avoided to get Christmas dinner every year in the past 20 years - but this Christmas he will ultimately fail. A [clown] will burn his arse and then he will be a prize in [the] Bingolotto. But only the bravest can win him; the ones who shares the most Bingolotto-bricks. But then someone saw to spare [the pig's] life - turning him into an installation art piece. But only the bravest can win him; the ones who share the most art noveua-entrance tickets. But then someone saw to sacrifice [the pig] - turning him into a biological experiment. The pig smelled of arson but could soon be experimented on. But then someone saw to spare [the pig's] life - turning him into a performance art piece. But only the bravest can win him; the ones who shares the most pig festivity tickets. But then the pig festivity held a bingo-session. And then [the pig] turned into an installation performance (life saved).

// Arreality Recharacteristified To (Forever) (Fantasy Creature) & Henrik Aronsson (Fantasy Creature)

Ricky Fitts - Plastic Bag [Vädervärlden]

Plastic Bag



Ricky Fitts
Plastic Bag
012604510801=N
windy, 1999


Plastic Bag i ett postmodernt perspektiv

Verket blir här ett rörligt objekt över tid (plastpåse).


Plastic Bag i ett fluxus-perspektiv

Verket blir här ett rörligt objekt över tid (plastpåse) som rör sig i kast med vinden.


Plastic Bag i ett klassicistiskt perspektiv

Verket blir här ett objekt över tid (plastpåse) (som rör sig i kast med vinden).

// Arreality Reality Potion (Fantasy Creature) & Arreality Reality Motion (Fantasy Creature)

Ricky Fitts - Gone With The Wind [Konstvärlden]

Gone With The Wind



Ricky Fitts
Gone With The Wind
012604510801=N
video art, 1999


Gone With The Wind i ett postmodernt perspektiv

Verket blir här symbol för ett objekt i förvandling över tid men som efter förvandlingen fortfarande representerar ett objekt.


Gone With The Wind i ett fluxus-perspektiv

Verket blir här symbol för ett objekt i förvandling över tid men som under förvandlingen fortfarande representerar ett objekt (plastpåse).


Gone With The Wind i ett klassicistiskt perspektiv

Verket blir här ett objekt (för vinden) i förändring över tid.

// Arreality Reality Potion (Fantasy Creature) & Arreality Reality Motion (Fantasy Creature)

Peter Fischli, David Weiss - The Way Things Go

The Way Things Go [Konstvärlden]



Peter Fischli, David Weiss
The Way Things Go
012604510801=N
art film, 1987


The Way Things Go i ett postmodernt perspektiv

Verket blir här kaos till ordning.


The Way Things Go i ett modernistiskt perspektiv

Verket blir här kaos till kaos.


The Way Things Go i ett romantiskt perspektiv

Verket blir här ordning till ordning.


The Way Things Go i ett klassicistiskt perspektiv

Verket blir här ordning till kaos.



The Way Things Go [Filmvärlden]



Peter Fischli, David Weiss
The Way Things Go
012604510801=N
experimental film, 1987


The Way Things Go i ett postmodernt perspektiv

Vrkt blr-här kAOS tll-ordNIg.


The Way Things Go i ett modernistiskt perspektiv

Vrkt blr-här kAOS tll-kaS.


The Way Things Go i ett romantiskt perspektiv

Vrkt blr-här odng til-ordNIg.


The Way Things Go i ett klassicistiskt perspektiv

Vrkt blr-här ordNIg tll-kAOS.

// Arreality Reconnecting Transfer (Fantasy Creature)

Santa Claus i ett dadaistiskt konstperspektiv

Santa Claus i ett dadaistiskt konstperspektiv

Seeing the onslaught of the new world ca. 2400 with Hitler resurrected and Christmas banned Santa Claus saw his refuge in the anti-art (anti-Christmas). Christmas was then once again taken into practice and this time not once a year but 364 (365) days a year. Santa Claus couldn't comply with this even if he got Christmas back and sorted for ways of thinking new goods (presents) for Christmas. One way out of this despair deemed the christmas gift (art piece) of 'Second World War' (found conceptual) - now every day for 6 years (-6 days) could comply as a Christmas gift. Seeing the anti-Christmas only beguising the most mean characters of the world the man top of the list was Hitler who got the aforementioned gift ('Second World War').

Luckily for Santa Claus the majority of the then world population (2400) was made up of soften humans - but, although, some far right activists -- exampled by the group of scientists resurrecting Hitler -- still made noise in the perimeter and Santa Claus found problems suiting the demand of brown skins all over the world.

Santa Claus solution to this deemed one of diaspore elegance. Seeming the founding art piece of this time ['Second World War'] beginning to fade away after Timmy Duncan's 'Make Feeling No More War' (conceptual intervention) Santa Claus deemed Christmas as antianti-art (abstract conceptual) and so the Christmas receivers got inverted to once again only include the well-behaved. Being [Christmas] under that (what) influence the act of painting fully satisfied the demand for Christmas presents.

Santa Claus was once again victorious.

// Henrik Aronsson (Other Persona)

Thomas Green - Cow Brain Boat

Cow Brain Boat [Komedivärlden]



Thomas Green
Cow Brain Boat
012604510801=N
conceptual, 1994


Cow Brain Boat i ett postmodernt perspektiv

Verket blir här ett landdjur syntetiserat till vatten-(djur)flotte.


Cow Brain Boat i ett modernistiskt perspektiv

Verket blir här symbol för urtidens (och nutidens) barkbåtar.


Cow Brain Boat i ett klassicistiskt perspektiv

Verket blir här en barkbåt av kohjärna.



Hjärnbarkbåt [Humorserievärlden]



Thomas Green
Hjärnbarkbåt
012604510801=N
sketch, 1994


Cow Brain Boat i ett postmodernt perspektiv

Verket blir här ett landdjur syntetiserat till vatten-(djur)flotte.


Cow Brain Boat i ett modernistiskt perspektiv

Verket blir här symbol för urtidens (och nutidens) barkbåtar.


Cow Brain Boat i ett klassicistiskt perspektiv

Verket blir här en barkbåt av kohjärna.

// Arreality Reality Potion (Fantasy Creature)

Santa Claus i ett institutionellt konstperspektiv

Santa Claus i ett institutionellt konstperspektiv

Cast
Santa Claus (2300)
Santa Claus (past being)
Tooth Fairy
Russian Socialist Mafia
Tracey Emin
Billy Childish

Art works
Russian Socialist Mafia Substitutes The Artworld (Unknown Artist)
My Bed (Tracey Emin)
Tracey's Bed (Billy Childish)
Bed Store (Santa Claus)
Hir Bed (Santa Claus)



This is the year 2300 and the world is ruled by russian socialist mafia. Long going Santa Claus was the last outpost proposing the artworld aestetic (w/ art pieces as christmas gifts) after 'Russian Socialist Mafia Substitutes The Artworld' (relational conceptual) but since being handled Tracey Emin's 'My Bed' in late 2136 Santa Claus started to oversleep practically every christmas.

If things wasn't already on christmas' despair the North Poles' minerals accounting for Santa Claus' wealth had began losing its value since some Sahara inhabitants moved over to the South Pole finding minerals vastly overshadowing Santa Claus' mineral supply.

In a last effort to save the christmas world Santa Claus found his way into time-travelling travelling back to the year 2136 only to find his then-being being granted with Billy Childish's 'Tracey's Bed' (made installation).

Santa Claus then began hitting beds as christmas gifts counting his 1100 elves' beds as a start supply - which could have proved to be a life-line for christmas and Santa Claus alike if it wasn't for a more strict demand for hard packages gifts as substitute for the soft packaged beds.

Being trapped in this time-frame Santa Claus soon gained some more ground with the tooth fairy's well-timed death early 2278. As an inheritage of some of the tooth fairy's wealth Santa Claus once again had the funding for more aclaimed gifts.

In an act bledging the requested demand for hard packaged gifts Santa Claus then bought every imaginable bed store (made site-specific installation) and claimed the beds within as installation sculptures thus enabling them as hard packaged gifts.

Santa Claus was once again victorious.

// Henrik Aronsson (Other Persona)