Santa Claus i ett dadaistiskt konstperspektiv

Santa Claus i ett dadaistiskt konstperspektiv

Seeing the onslaught of the new world ca. 2400 with Hitler resurrected and Christmas banned Santa Claus saw his refuge in the anti-art (anti-Christmas). Christmas was then once again taken into practice and this time not once a year but 364 (365) days a year. Santa Claus couldn't comply with this even if he got Christmas back and sorted for ways of thinking new goods (presents) for Christmas. One way out of this despair deemed the christmas gift (art piece) of 'Second World War' (found conceptual) - now every day for 6 years (-6 days) could comply as a Christmas gift. Seeing the anti-Christmas only beguising the most mean characters of the world the man top of the list was Hitler who got the aforementioned gift ('Second World War').

Luckily for Santa Claus the majority of the then world population (2400) was made up of soften humans - but, although, some far right activists -- exampled by the group of scientists resurrecting Hitler -- still made noise in the perimeter and Santa Claus found problems suiting the demand of brown skins all over the world.

Santa Claus solution to this deemed one of diaspore elegance. Seeming the founding art piece of this time ['Second World War'] beginning to fade away after Timmy Duncan's 'Make Feeling No More War' (conceptual intervention) Santa Claus deemed Christmas as antianti-art (abstract conceptual) and so the Christmas receivers got inverted to once again only include the well-behaved. Being [Christmas] under that (what) influence the act of painting fully satisfied the demand for Christmas presents.

Santa Claus was once again victorious.

// Henrik Aronsson (Other Persona)