Santa Claus i ett romantiskt konstperspektiv
The year is 3000 and Santa Claus defends the neoscientific holdings after being proofed of not in existance by the (now defunct) teology world. Santa Claus had by now turned old, grumpy, mean and sad since not ever recieving a Christmas gift by his own although tousands of years active in his trade. He now lean on the brink of quitting until he finally found salvation in the reinvention of the dimensional portal. Santa Claus embraced that as an outpost of both scientific and aesthetic prowess and now (maybe) he could travel to the one dimension where he holds no Christmas duties but live in Båstad undercover.
But their was one obstacle - the collected science world could not get it to work as good as what was needed. The dimensional portal was all the while an art object and could not function without the believe in art. So far so good but without mechanistic traits Santa Claus could not get the power of the scientific world.
The workings (solution) got ever more intricate when an unknown scientist finally found the missing link with the Guggenheim transformator. With it you only need the belief (conceptual machine) of the dimensional portal and the art world in order to travel the vast megaverse. The settings you need to highlight (typing into the dimensional portal) will then be the coordinates (beliefs) of the end-universe and that implication suited Santa Claus very well since he still held the beliefs of the Båstad-universe.
Santa Claus was once again victorious.
// Henrik Aronsson (Other Persona)
Inga kommentarer:
Skicka en kommentar